This diffuser can then converted into a reflector by adding a zip-on cover, with various surface colors available.
In bright sunlight however it'll be too harsh. Silver: Silver reflectors are great when shooting in dull, grey conditions as it reflects more light.White: A white reflector gives a soft natural look and is one of the most popular choices for reflecting light.Barry O'Rourke: 9780817440046: : BooksWhy you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you.
#Costing on photo reflector old how to
How to Photograph Women Beautifully: Professional Techniques for Creating Glamourous Pictures: J. An overhead, high-positioned light and a just-out-of-camera-view under-chin reflector is STILL a staple of the headshot/beauty shooters.you'll see it on America's Top Model and so on.
The main light creates a nice catchlight at the top of the eyeball, and the reflector fills in shadows under the chin, and also creates a very nice, defining catchlight across the bottom of the eyeball, which adds a huge dimensional "cue". A tilt-head tripod head was actually the perfect way to mount the doggone thing!Ī solid metal or wooden reflector, or even a piece of foam-core board (aka "art board"), or even a piece of formica can work wonderfully this way, especially for clamshell type lighting setups, where the main light is overhead and shining down, and the reflector is placed right around the chest level on headshots.
Barry O'Rourke's book How To Photograph Women Beautifully called the "under-chin reflector", and it worked superbly on a regular, inexpensive tilt-style tripod head! Worked perfectly! The mounting hole was right in the center of the sheet of steel, and when cinched down, the rubber-covered mounting on the tripod's tilt head area fit tightly, and it supported and kept the sheet right in position. I guess it was 1/8 inch thick steel, and I painted one side white, and left the other side its natural stainless steel color. threaded fixtures welded to the underside of it! I used it for many years. It was about 36 inches wide by 28 inches from front to back, and it already had MULTIPLE, tapped 1/4 x 20 N.C. Especially if you already have one lying around.Ībout 25 years ago I made a similar reflector and a small tripod, using a piece of thin stainless steel that I salvaged off of a baby posing table the studio was replacing with a new one. I still think that the best way to hold up a reflector is a VAL. This can be infuriating when you're trying to light up your subject.Įven the fancy ' store bought' reflector stands are all but useless if the wind kicks up. In even a slight breeze, a reflector will want to flutter & move around. If you could rig up a pole with two clamps, you might have something.Īlso, larger reflectors works much better/easier than smaller ones.but the larger the reflector, the bigger of a sail it will become. In other words, if you clamp it in one spot, it won't hold it's position unless you are hanging it. I love a good DIY project.but I don't think it will work well with an actual reflector.įirstly, a folding reflector (the most common type) has a rigid outer band but are otherwise made of fabric.
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